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directorcommentary | jasonbentley.org

Jason Bentley, Santa Clara, California: writing, photography, graphic design, music, audio, video, technology, life

If Rumsfeld didn't say it, he should have

Truer words ne'er were spoken:
"One can be a tinkering gnome and not be an Oompa-Loompa,
but one cannot be an Oompa-Loompa and not be a tinkering gnome."
Everybody read Gummi Bear Mafia Chick. This girl rocks my world.

You know you're right

Okay, I swore I'd never do this. But you can't argue with results.



If you believe they put a man in the moon...

I love learning new words, especially when they're really strong and useful. Today's new word is:

pareidolia - the psychological term for perceiving definitive patterns in vague, amorphous, or suggestive objects, a la the man in the moon or that Virgin Mary grilled cheese sandwich that went for $25,000 on eBay or Paris Hilton.
Oddly enough, this word only shows up in two references when checked through onelook.com, and one is the "Useless Word of the Day."

What tripe! It's far from useless, and I think it broadly applies to a lot of what we lump together as "denial." Seeing what one wants to see in something or someone is daily and rampant. Someone once told me, literally, as we hung out one afternoon, that since (at the time) I had a boyfriend, but wasn't with him and was hanging out with this person, that I didn't really love my boyfriend and had an undeniable attraction to the person I was with, which I neither had nor had made any overtures to the kind.

*shudder*

Basso Confoundo

I found a really bizarre sound clip deep in my filesystem today. I think I obtained it around the time Star Wars Episode I came out when I worked at Cisco. In any case, it's a fragment of an interview with none other than James Earl Jones, hallowed actor and the voice of Darth Vader himself. This clip is all I have, but I believe the question from the interviewer was "Why is Star Wars so important to so many people?"

The answer...well, if you can find it in Jones' rambling, incoherent babble about happiness and babies and contentment and gusto, please leave a comment and explain it to me. I make more sense than this guy after a weekend of festive inebriation. As for Jones - I'll have what he's taking.



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Vanagon in 420 seconds



I had a good talk tonight with my frind Kyle in Arizona, and our conversation inspired me to unearth and present this little chestnut, which was only my second attempt at anything like music production. It's less a "song" than a sound collage of varying music moods around a theme. Anyway, Kyle is the owner of a Volkswagen Vanagon, and "Vanagon" is the title of this track.

The real-life Vanagon is the direct decendent of the original Volkwagen van or "bus." In fact, for the first few years, the Vanagon body was built over the original air-cooled bus chassis - which made for some really sluggish traveling. But soon the chassis was improved, the cooling system went liquid, the headlights turned square, and the Vanagon was in its prime. The Vanagon eventually gave way to the (far less cool) EuroVan, but Vanagons are still seen all over the place, especially in sunny, rust-free California.

For several years, I was the proud owner of a 1978 Volkswagen bus with a Westfalia camper pop-up top. It was too early to be a Vanagon, but it was the singular experience of driving and owning one of these awesome vehicles that kinda guided this little sonic experiment. I've always wanted a nice camper Vanagon, but I've only wanted one with syncro, and a Vanagon syncro in good condition is still pretty expensive these days.

So this was back in 98, I had my bus, and I just started tinkering around with Acid, SoundForge, Rebirth, and other software music tools. I'd completed one test track, and as a second go around I wanted to try something that was like a mini VW bus roadtrip - with all the lip-biting apprehension, fun, and inevitable exaltation that are in the very welding of the old V-dubs. I'd wanted to set up shifts in mood, a sense that the song was taking odd left turns on a long, slightly repetitive trip, sorta like "Good Vibrations" but more like "Funkytown" (without sounding like either of those songs).

I played and looped some acoustic guitar and some brainless keyboard work (the dee-doot-doot-dee-doot-doot opening is an example of this virtuosity), but no vocal. There is a sampled 'guest' vocal - and I'd be hard pressed to find anyone that can't pinpoint the source. The counting vocal felt appropriate. I always seemed to do a lot of counting in my bus - miles, rpms, gas dollars. You'll know what I mean when ya listen.

I never did anything with this particular track because there's some pretty egregious sampling in it. It was always meant to be an exercise, not a "song," and I fished around for material I could find to get something like the sound I was looking for. In the end, I learned a lot about tweaking sound and layering seemingly disparate elements to do something really evocative, and moreover that sounds can be processed to oblivion - the Mancini-esque "harmonica" at the end is actually some sampled electric guitar feed back processed and pitch shifted through my PC.

After this I finally felt comfortable enough to cobble together a song, which I'll post another time. But for now - at least until I get a cease and desist order - buckle up and enjoy "Vanagon."

Fahren nur mit verrigeltem dach!

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